Monday, March 30, 2009

NYC, The Good, the Bad, and the Smelly Cat, One Person's View of the Big Apple





Just met some friends in the Big Apple. The real reason for the trip was to see Jane Fonda's play 33 Variations, see previous post at http://sonasez.blogspot.com while celebrating my birth month. However, we wanted to catch some other cultural activities while we were there.

We stayed at the Le Parker Meridien, an upscale W Hotel without all of the uppity attitude. It was a perfect location, between Times Square and Central Park and close to 5th Avenue Shopping. We loved the hotel. It had everything: the Burger Joint, (one of the best burgers/fries/and draft in a diner style with unpretentious booths); Knave, a European Espresso/Bar that truly makes the best Cafe Americano in NYC; Gravity Fitness center (not really needed with Central Park next door); and large rooms. The smallest rooms are over 300 square feet, nothing to joke about in NYC. When the city's typical boutique hotels rooms are just shy of 100 square feet, we felt like we were at home in the spacious rooms. Since it was my birthday, they upgraded my room, never heard of that one, but really liked it. We entered the room to find a bottle of Champagne, fruit basket, flowers and a massage gift card, chocolate dipped strawberries, all from friends and family wanting me to celebrate well while in the Big Apple. All was great until we left the hotel. The NYC cab drivers get a bad rap for a reason. My stomach churns every time I get into one. I am not used to their driving. We were so excited to get tickets to the Martha Stewart show. The best thing about it was her audience warm up guy. Martha comes out, looks straight into the camera and gets down to brass tacks. She did not get her reputation from making subtle niceties with her guests. I don't think she looked at one person in the audience and certainly never interacted with them. Her guest on our visit was Ray Liotta, (Corrina, Corrina, Good Fellas). He even commented on how on edge Martha was. She rarely cracks a smile. Definitely not a visit I would repeat.

We went to Balthazar for some great European Pastries, and the almond and chocolate croissants are some of the best in the city. I had lunch there once at the invitation of chef Alice Waters and it was one of the best lunches of my entire adult life. What you realize when you visit a place like NYC is that there are so many great things but just like everything good, there is always a price to pay. The city has some serious smelly cats. At almost every turn, you smell a foul odor, I never have this experience in the ATL. When out and about in Manhattan, from Madison Avenue, to Harlem to Soho, or Central Park, there are always plentiful odors emanating: from the sewer vents, to the garbage, to the urine smells to doggie and horse poop all over Central Park. I guess the sheer number of people makes it a logistical nightmare to keep the city free from vile odors.

Despite the ever-persistent smelly cat, we had some very tasty food while in the city. The Modern at MOMA is one of the best deals for Foodies in NYC. They have a great wine list, a beautiful restaurant and bar, and exceptionally good tapas size dishes for a good price. The duck breast with pistachio truffle oil, the fish of the day, and the tarte flambee are all winners. The service was exceptional also. Our next highlight was sitting in the Orchestra Box at the American Airlines Theatre. After all of the Lincoln at the Ford Theatre jokes, all of my friends thanked me for the great seats. If only the play had been worthy. We saw Hedda Gabler. We thought it had to be good with one of our favorite Showtime actors, Mary Louise Parker (Weeds, Fried Green Tomatoes). We should have known from Ibsen's first run of the play in 1891 opening to negative reviews, that it wasn't going to be any better this time around. We never could figure out the point of the play. It was supposed to be the story of a free spirited 19th Century Woman who gets what she wants. In the end, she talks her previous lover into killing himself to find out that he was killed by someone else in a drunken state at a brothel using the gun she gave him to kill himself. When an evil judge decides to have his way with her because he knows who's gun it is, she decides to shoot herself in the temple. It seemed like a story about an unhappy housewife that was bored with life. This play should have never been on Broadway, maybe not even off, off Broadway. If you ever have the chance to see it, don't... It is definitely not worth it even in the Orchestra Box and with Mary Louise Parker as Hedda Gabler.

We also shopped all up and down Madison and 5th Avenues. We couldn't get into the Cartier store because we were 3 minutes before opening time. I thought we were in a recession but clearly, Cartier does not need the business. We also were met with great skepticism at Ralph Lauren, Brooks Brothers, David Yurman and all of the other supposedly fine stores in NYC. The only place where we were welcomed was Thomas Pink's Shirt store. The retail sales people in NYC should all be sent to the ATL for a lesson or two in courteous retail training. You would never experience the utter rudeness at Phipps or Lenox that we experienced in the Big Apple. We left Madison Avenue to check out Harlem. We kept hoping to run into President Bill Clinton, but no such luck. We only ran into more rudeness and chocolate salesmen. About the best thing about our trip to Harlem, was our trip back out of there. We tried to experience all the Big Apple has to offer in 3 days and I think we got around to some of the highlights. Would love to hear about your last trip there.....

Sunday, March 29, 2009

The Big Apple and 33 Variations






Organized about 20 friends for a trip to NYC to see Jane Fonda's play 33 Variations. Fonda plays a modern day musicoligist Katherine Brandt in search of reasons for Beethoven's obsession with "Diabelli's Waltz", a supposed mediocre composition that fascinated Beethoven. He created 33 variations over a three year span out of something everyone else thought was an unimaginative, repetitive bore. I loved the way the play paralleled the lives of Beethoven's fixation on Diabelli's Waltz, while suffering from his deafness and Brandt's fixation on Beethoven's obsession with Diabelli's Waltz as she struggled with her illness, ALS. The duality on stage was very powerful! While people thought Beethoven was mocking Diabelli's Waltz, he was actually admiring it, thus the reason for so many variations over such a long period of his life. Brandt's examination of Beethoven's work and her struggle with her own illness, helped her to realize that the true beauty of life can come out of the seemingly mundane.

Jane was absolutely brilliant as she is in everything she does. I have never really seen Jane in her professional element, acting other than a few of her films, On Golden Pond, Monster-in-Law, and Georgia Rule. I had the great fortune of working for her public charity for a couple of years and was always excited by her passion to a cause she believed in, her dedication to educating others on the cause and her brilliant, moving speeches! Every time I heard her speak, I would become even more committed to the cause. After seeing her in this play, I realized for the first time, she must continue sharing her craft with the world. Her work on stage touches so many people. I saw many people with tears, and everyone was talking about her incredible performance. One person I ran into, was there for the fourth time because he was so moved by it. Jane belongs on stage where the masses can enjoy her talent. I feel so blessed that I was lucky enough to cross her path during my lifetime and hers. It made me want to get a year subscription to Netflix just for Fonda on film. If you haven't seen 33 Variations, you need to. If you have, would love to know your thoughts on the play...